A recent graduate of the Aunty Donna Big Ol House of Fun shirt. École de la Chambre Syndicale de la Couture Parisienne, De Vilmorin launched his debut collection on Instagram—where else?—and quickly attracted the attention of Jean-Charles de Castelbajac and Christian Lacroix, two designers who know a thing or two about exuberance. De Castelbajac took to his own Instagram account to tout the 23-year-old newcomer: “Charles designs his dreams, paints his creations on the skin as on paper—and these silhouettes transform his muses into psychedelic conquerors…. His panache is through color, and his future is passionate.
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Liana Satenstein: I like the idea of small labels and individuals but when masks are priced so high by a large clothing company? And who knows where they are made. Chioma Nnad Aunty Donna Big Ol House of Fun shirt. Same, I’m glad that young designers got a head start on this. And I’m only buying from small, local mask makers. Emily Farra, senior fashion news writer: I think a lot of the hesitation definitely stems from the inconsistent narrative around masks. Less than two months ago, the CDC literally told us not to wear one at all—not because it wouldn’t help, but because they knew the hospitals were going to run out. And the fact that so many people don’t have access to masks at all makes me feel uneasy about “fashion masks.” Hospitals in NYC seem to be better equipped now, but other front line workers—at grocery stores, pharmacies, taxi drivers, etc—do not have access to masks. and i’ve heard there are major shortages at nursing homes. Steff Yotka, fashion news and emerging platforms editor: To go back to Sarah’s point about unease about fashion mask-making: I think it’s important to be able to make an aesthetic choice about what your mask looks like, especially now that it seems like we will be wearing them for a long time. But masks becoming a status symbol is tricky territory to me—we’re wearing them for our health. Not to flex.