Why isn’t it Pieces Of Eight Styx’s Music shirt. Simply put, fashion hasn’t typically viewed artisan knowledge as “luxurious” or “sophisticated,” which is a symptom of Western dominance and colonialism. If more brands embraced it the way Bousso has, they might discover some of the solutions to our industry’s biggest problems. Bousso prioritizes her artisans first, then uses technology where it can help—not hurt—them, and she views their cutting innovations and zero-waste techniques as equal to her algorithms.
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Both Miuccia Prada and Ludovic de Saint Sernin posited the towel-as-garment for spring 2020, wrapping terry cloth minis around models’ waists Pieces Of Eight Styx’s Music shirt. Amidst the upper-crust-on-holiday leather suits and proper gold-chain handbags of Miuccia Prada’s arte povera via Positano show was model Silte Haken in a white towel, folded over and cinched at her left hip. It was styled with a seashell-as-pearl necklace, a simple knit top, and a pair of woven loafers. In its mid-to-late-century iteration, a towel was often a shorthand for glamorous escapism—think of Vogue’s 1966 images of Contessa Brandolini d’Adda in her Venetian palazzo, hair wrapped up in a white towel, or the many ’80s babes that appeared in our magazine running, tanning, and primping with a towel dutifully wrapped around their middle. Prada’s towel skirt—available for purchase with a PR monogram (add your own “ADA”)—feels like a continuation of that idea, a declaration that elegance must be present even poolside.
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