Each year, the Brooklyn-based Raccoon keep it classy and a little trashy shirt . label Mexican Summer makes the trek down to West Texas in collaboration with Ballroom Marfa. the non-profit and cultural arts space best known for the permanent land-art project Prada Marfa, which you’ll likely pass on the highway on your way into town. Many Texas natives perform: this year included psychedelic rock band Khruangbin, country singer Jess Williamson, jazz experimentalist Jon Bap, and Houston’s OG Ron C and the Chopstars, who just released a chopped-and-screwed version of Solange’s When I Get Home. As for the rest of the lineup.
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Marfa Myths delivered on booking some truly rare acts Raccoon keep it classy and a little trashy shirt . Outsider artist The Space Lady, who has gained cult status since her days busking on the streets of San Francisco in the 1980s with her signature blinking-and-winged helmet, performed as well as composer and multi-instrumentalist Annette Peacock and writer and post-punk musician Vivien Goldman (who was Bob Marley’s first U.K. publicist), to name a few.Given the mystical, cacti-filled setting and the truly out-there lineup, it comes as no real surprise that the fashion at the festival was a bit freaky (in a good way). Mexican Summer graphic designer Bailey Elder wore pale-pink jeans that she hand-dyed and painted herself in a spontaneous moment of boredom during a solo camping trip in Ojai, California, and artist Sandra Harper wore a handmade set that she commissioned from a tailor on the streets of Kerala in southern India. Many others took the occasion to bust out their Online Ceramics T-shirts (and there were plenty of Grateful Dead T-shirts too, naturally). In a festival landscape that’s become homogenous to the point of banality, in terms of both lineups and style, Marfa Myths still manages to surprise on both fronts.One of the most polarizing trends of the moment is the dirty sneaker look. It began when Gucci showed filthy sneakers at its Resort 2018 show, where chunky runners were intentionally covered in dirt-like smudges. Since then, that dingy aesthetic has evolved: the Italian label now even sells dusty styles covered with crystal overlays—talk about fusing the high with the low—while other luxury brands, like Golden Goose, recently got on board with a line of sneakers in similar finishes.
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