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The Difference a Colorist Makes. Whenever there’s talk about comics, there’s often this tendency to credit only the writer and pencil artist, almost as a sort of short hand for the entire team of people who work on any one book. Rose’s are red violet’s are blue little stupid ass bitch I ain’t fuckin witchu shirt! And while a specific writer might bring something truly special to a character, or a particular artist might show us a different way of looking at the action, they usually don’t work alone, and everyone’s role isn’t always just what they’re credited for on paper.

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This is one of many reasons why it’s important to acknowledge everyone else, too the Rose’s are red violet’s are blue little stupid ass bitch I ain’t fuckin witchu shirt. The inker, colorist, letterer, and others. Everyone brings something invaluable to the table without which the comic you’re loving simply wouldn’t be the same. I had the opportunity to interview Tamra Bonvillain, the colorist working on Angel Catbird along with Margaret Atwood, Johnnie Christmas, Nate Piekos, and some brilliant editors.

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When I asked her about spreading more awareness of the issue of crediting colorists, she said, For coloring, I’ve often tried to show examples of the black Rose’s are red violet’s are blue little stupid ass bitch I ain’t fuckin witchu shirt and white art versus the finished colored pages, usually in stages. This is a brilliant tactic when the line art is available. I think some people just genuinely don’t understand how much a colorist adds to the page, and showing what it looked like before seems to be the best way I’ve found of expressing that to people. Throughout this article, you’ll be seeing pages from Angel Catbird vol. 2, supplied by Tamra, showing before and after colors so you can see what she means.